A Bed of Scorpions
(eAudiobook)
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Published
HighBridge, 2016.
Physical Description
8h 55m 0s
Format
eAudiobook
Language
English
ISBN
9781622319282
Citations
APA Citation, 7th Edition (style guide)
Judith Flanders., Judith Flanders|AUTHOR., & Susan Duerden|READER. (2016). A Bed of Scorpions . HighBridge.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Judith Flanders, Judith Flanders|AUTHOR and Susan Duerden|READER. 2016. A Bed of Scorpions. HighBridge.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Judith Flanders, Judith Flanders|AUTHOR and Susan Duerden|READER. A Bed of Scorpions HighBridge, 2016.
MLA Citation, 9th Edition (style guide)Judith Flanders, Judith Flanders|AUTHOR, and Susan Duerden|READER. A Bed of Scorpions HighBridge, 2016.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouping Information
| Grouped Work ID | c1b1431a-971f-23a1-1d52-dea9a45fb979-eng |
|---|---|
| Full title | bed of scorpions |
| Author | flanders judith |
| Grouping Category | book |
| Last Update | 2024-05-05 08:21:16AM |
| Last Indexed | 2024-05-05 23:28:34PM |
Book Cover Information
| Image Source | hoopla |
|---|---|
| First Loaded | Mar 6, 2024 |
| Last Used | May 3, 2024 |
Hoopla Extract Information
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[synopsis] => What's an editor to do with so many demands? Do you deal with the morning's pile of manuscript submissions first? Or the swine from sales who steals all the chocolate digestives? Or do you concentrate on your ex-lover, whose business partner has just been found dead in their art gallery, slumped over his desk with a gun in his hand? It's another day at Timmins & Ross publishing house, but when sharp-tongued editor Samantha Clair's CID boyfriend is brought in to investigate Frank Compton's death, her loyalties become stretched. And when one of Aidan Merriam's artists is found dead in identical circumstances, Sam takes on the art world and the CID, armed with nothing more than her reliable weapons: satire, cynicism and a stock of irrelevant information culled from novels.
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