Phenomenology of Creativity: History, Paradoxes, Personality
(eBook)

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Published
AuthorHouse UK, 2013.
Format
eBook
Language
English
ISBN
9781481787406

Citations

APA Citation, 7th Edition (style guide)

Samad Seyidov., & Samad Seyidov|AUTHOR. (2013). Phenomenology of Creativity: History, Paradoxes, Personality . AuthorHouse UK.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Samad Seyidov and Samad Seyidov|AUTHOR. 2013. Phenomenology of Creativity: History, Paradoxes, Personality. AuthorHouse UK.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Samad Seyidov and Samad Seyidov|AUTHOR. Phenomenology of Creativity: History, Paradoxes, Personality AuthorHouse UK, 2013.

MLA Citation, 9th Edition (style guide)

Samad Seyidov, and Samad Seyidov|AUTHOR. Phenomenology of Creativity: History, Paradoxes, Personality AuthorHouse UK, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID30b29c69-3e84-b4ee-59ae-6128b57768dc-eng
Full titlephenomenology of creativity history paradoxes personality
Authorseyidov samad
Grouping Categorybook
Last Update2024-05-02 11:59:07AM
Last Indexed2024-05-03 12:59:18PM

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First LoadedDec 20, 2023
Last UsedApr 30, 2024

Hoopla Extract Information

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    [synopsis] => The book presents a contrasting study of the views of ancient Indian, Chinese, Greek, Middle Eastern, and Russian philosophers on creativity. It also discusses the subject of creativity as viewed by Freud, Jung, Adler, the Gestalt school, and other prominent Western psychologists. A special place is provided for an overview of the history of Soviet psychology, and of the revival of psychology in Azerbaijan after the fall of the Soviet Union. The author emphasizes the importance of the social environment in determining the development of the personality. He states that most personal activity is directed at serving the values of the surrounding society, not the values of the person himself. The author considers that creativity is a psychic defense mechanism which people use to solve everyday problems in order to restore their inner and outer equilibrium. Samad Seyidovs study of creativity comes at the right time and from the right place. Not only are we passing through a period of rapid change, particularly in such fields as nanotechnology, neuroscience, physiological psychology, and genetics, but also the participants in this change are no longer limited to a small group of western countries, but are increasingly appearing in different parts of the world. If the social upheaval that these changes are having in established societies is great, it is even greater in newly emerging societies. Are we equipped to manage these changes, and can the creative arts and sciences join to interpret them, drawing on their varied traditions in order to do so? That is surely the vital question that we carry away from Professor Seyidovs important study of personality and creativity. Prof. Eleni Karamalengu, National & Kapodistrian University of Athens
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