Soundscapes of Uyghur Islam
(eBook)

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Published
Indiana University Press, 2020.
Format
eBook
Language
English
ISBN
9780253051370

Citations

APA Citation, 7th Edition (style guide)

Rachel Harris., & Rachel Harris|AUTHOR. (2020). Soundscapes of Uyghur Islam . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Rachel Harris and Rachel Harris|AUTHOR. 2020. Soundscapes of Uyghur Islam. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Rachel Harris and Rachel Harris|AUTHOR. Soundscapes of Uyghur Islam Indiana University Press, 2020.

MLA Citation, 9th Edition (style guide)

Rachel Harris, and Rachel Harris|AUTHOR. Soundscapes of Uyghur Islam Indiana University Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID7e8c1690-e66a-1612-276a-b20738d61864-eng
Full titlesoundscapes of uyghur islam
Authorharris rachel
Grouping Categorybook
Last Update2024-05-02 11:59:07AM
Last Indexed2024-05-12 01:36:55AM

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Image Sourcehoopla
First LoadedMar 7, 2024
Last UsedMay 7, 2024

Hoopla Extract Information

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    [synopsis] => China's Xinjiang Uyghur Autonomous Region is experiencing a crisis of securitization and mass incarceration. In Soundscapes of Uyghur Islam, author Rachel Harris examines the religious practice of a group of Uyghur women in a small village now engulfed in this chaos. Despite their remote location, these village women are mobile and connected, and their religious soundscapes flow out across transnational networks. Harris explores the spiritual and political geographies they inhabit, moving outward from the village to trace connections with Mecca, Istanbul, Bishkek, and Beijing. Sound, embodiment, and territoriality illuminate both the patterns of religious change among Uyghurs and the policies of cultural erasure used by the Chinese state to reassert its control over the land the Uyghurs occupy. By drawing on contemporary approaches to the circulation of popular music, Harris considers how various forms of Islam that arrive via travel and the Internet come into dialogue with local embodied practices. Synthesized together, these practices create new forms that facilitate powerful, affective experiences of faith.
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