Men, Women, and Chain Saws: Gender in the Modern Horror Film
(eAudiobook)

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Published
Tantor Media, Inc., 2021.
Physical Description
10h 7m 0s
Format
eAudiobook
Language
English
ISBN
9781666135671

Citations

APA Citation, 7th Edition (style guide)

Carol J. Clover., Carol J. Clover|AUTHOR., & Eva Wilhelm|READER. (2021). Men, Women, and Chain Saws: Gender in the Modern Horror Film . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carol J. Clover, Carol J. Clover|AUTHOR and Eva Wilhelm|READER. 2021. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carol J. Clover, Carol J. Clover|AUTHOR and Eva Wilhelm|READER. Men, Women, and Chain Saws: Gender in the Modern Horror Film Tantor Media, Inc, 2021.

MLA Citation, 9th Edition (style guide)

Carol J. Clover, Carol J. Clover|AUTHOR, and Eva Wilhelm|READER. Men, Women, and Chain Saws: Gender in the Modern Horror Film Tantor Media, Inc., 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDd6e83f54-80bd-437d-f65b-05d7323d2c6f-eng
Full titlemen women and chain saws gender in the modern horror film
Authorclover carol j
Grouping Categorybook
Last Update2024-05-02 11:59:07AM
Last Indexed2024-05-04 15:10:12PM

Book Cover Information

Image Sourcehoopla
First LoadedNov 5, 2023
Last UsedApr 29, 2024

Hoopla Extract Information

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    [synopsis] => From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented, notably the slasher movie's "final girls" as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.
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